Roland | Keyboard Rigs

BUILDING THE ULTIMATE ROLAND KEYBOARD RIG

Supercharge your sound by combining two keyboards in one super-creative keyboard rig

If you play keyboards or synths, you’ve got a lot of options from simple monophonic 25-key units right up to 88-note workstation monsters capable of seriously professional results. Today’s instruments are versatile too, offering hands-on controllers, drum trigger pads, built-in audio interfaces and much more.

This versatility means they’re suitable for a broad range of music production and performance duties, with products available at every stage – whether you’re just starting out, a gigging semi-pro, or an always-on-tour pro musician.

You may even have looked into the pros and cons of certain models. What you may not know though, is how two models can be combined to give spectacular musical results – at a cost which is far less than you’d expect

WHAT DO KEYBOARD PLAYERS REALLY WANT?

Before we start though, a little background is necessary. In 1972 Roland released Japan’s first synth – the SH-1000. Four years later, the coveted System-100 introduced modular synthesis to a wider audience, and in 1978 the first Jupiter (the Jupiter-4) made its debut. Kick starting the 80s with the Jupiter-8, Roland’s synths and keyboards were regularly used in the hit records of the era, and the various Roland ‘sounds’ became part of the fabric of the contemporary music scene.

During this time – over countless recording sessions, rehearsals and live gigs – close relationships have been formed with musicians, most of whom are not shy when it comes to telling us what they want. This constant feedback and communication has resulted in technologies being developed to make life easier, and better, for the musician – and the current generation of Roland synths and keyboards are designed to excel in four areas; sound, keyboard, user interface, and reliability.

KEYBOARD RIG ARTISTS

Jim Cox

Jim Cox

FA-07, V-Piano
MARK KNOPFLER

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Guy Fletcher

Guy Fletcher

JD-XA, RD-2000, SYSTEM-8
MARK KNOPFLER

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Sister Bliss

Sister Bliss

JUPITER-X
FAITHLESS

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Kebu Keyboard Rig

Kebu

FANTOM-6, JUPITER-X, JUPITER-Xm
SOLO ARTIST

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Kola Bello Keyboard Rigs

Kola Bello

RD-2000, FANTOM-8, JD-XA
ELLIE GOULDING

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Ashton Miranda Keyboard Rig

Ashton Miranda

FANTOM-8 & -7, RD-2000
MABEL, ANNE-MARIE, ED SHEERAN

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Berenice Scott

Berenice Scott

FANTOM-8 & -7, JD-XA
SIMPLE MINDS, HEAVEN 17

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Rachel Z | Keyboard Rigs

Rachel Z

RD-2000, JD-XA, SYSTEM-8
P. GABRIEL, STEPS AHEAD, O. HAKIM

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Amp Fiddler | Keyboard Rigs

Amp Fiddler

VR-730 V-COMBO
JAMIROQUAI, PRINCE

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Myron McKinley | Keyboard Rigs

Myron McKinley

RD-2000
EARTH, WIND & FIRE

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James Lavelle Keyboard Rig

James Lavelle

SYSTEM-8
UNKLE

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Steve Weston Keyboard Rig

Steve Weston

SYSTEM-8
UNKLE

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Roger Hodgson Keyboard Rig

Roger Hodgson

RD-2000
SUPERTRAMP

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Ayo Oyerinde Keyboard Rig

Ayo Oyerinde

JD-XA, RD-800
JESSIE J

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Michael Geghan Keyboard Rig

Michael Ghegan

RD-2000, AEROPHONE AE-10
ROGER HODGSON, ELTON JOHN

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Jean-Michel Jarre Keyboard Rig

Jean-Michel Jarre

SYSTEM-8, JD-XA, TR-8, TB-3
SOLO ARTIST

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Peter Sene Keyboard Rig

Peter Sené

SYSTEM-8
EVERYTHING EVERYTHING

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Alan Walker Keyboard Rig

Alan Walker

SYSTEM-1, V-Combo, BOUTIQUE SERIES
SOLO ARTIST

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Peter Gordeno Keyboard Set Up

Peter Gordeno

RD-2000, JD-XA
DEPECHE MODE

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Nick Rhodes Keyboard Rig

Nick Rhodes

JD-XA x 4, JD-Xi
DURAN DURAN

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Lawrence Insula Keyboard Rig

Lawrence Insula

JD-XA
RITA ORA

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Mike Lindup Keyboard Rigs

Mike Lindup

RD-2000, JD-XA
LEVEL 42

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Toby Chapman Keyboard Rig

Toby Chapman

JD-XA, RD-800
SPANDAU BALLET

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#1 The Sound Engine

Choosing the right sound engine
for the job

A synth or keyboard has to sound amazing, otherwise what’s the point? While size, portability, or the number of controllers are all important, it’s all for nothing if the instrument doesn’t make you want to play music. Roland’s synth and keys line up offers a variety of core engines and technologies for all ability levels, with the tonal range and power to work across all music genres. It’s best to look at this via the type of instrument you play

If you play
the piano

(Fantom V-Piano technology)
Making a truly convincing digital piano is not easy. In fact, Roland took decades to develop the groundbreaking technologies needed to solve the challenge. In 2009 Roland released the revolutionary V-Piano, a physical modeling instrument with no samples whatsoever. The upside of physical modeling is a far greater dynamic range, comprising brighter highs and darker lows, infused with color, character and long decays that naturally fade to nothingness. You’ll hear more detailed harmonics when playing fortissimo passages, and fast key repetition no longer forces you to compromise your style while the piano tries to keep up.

If you play piano | Roland RD-2000
If you play synth | Roland JUPITER-X

If you play
the synthesizer

(ZEN-Core and ABM)
The great thing about synthesizers is that there is more than one approach to creating sounds - and Roland has you covered. The new ZEN-Core technologies and ABM (Analog Behavior Modeling) offer the ability to work digitally with multiple sound engines, thus offering the synthesist a huge range of sonic possibilities not previously possible. Add to this all the contemporary DAW integration capabilities, there has never before been more powerful and affordable instruments available to the modern music maker.

Learn More About ZEN-Core

If you play
the synthesizer

(SuperNATURAL SYNTH, Crossover analog/digital, pure analog)
Maybe you need the most expressive PCM-based violin or saxophone sounds, or versatile pads and classic drum machines, or even the raw analog waves of a genuine modular system. Or how about combining them all? Whatever you’re into, you’re no longer limited to just analog or just digital; you can mix and match to suit your needs. For example, the JD-XA combines a four voice analog engine and filter bank with a four-part digital engine, along with the ability to route sounds between the various components for brand new sound design possibilities.

If you play synth | Roland SuperNATURAL Crossover analog/digital and pure analog

#2 The feel of the keyboard

Finding a keyboard that brings out your creativity

With great instruments, the sound is just one half of the equation: the other is feel. When a synth or keyboard is built to a low price, the quality of the keyboard action is the first thing to go; crazy when you think about it, as it’s the only part of the instrument that you ever touch. A powerful sound engine needs an equally responsive keyboard to get the best from it. Conventional ‘off the shelf’ keyboards weren’t accurate enough, so a variety of Roland keyboard technologies have been developed to translate your musical ideas into sound.

Hammer Action on Roland keyboards

HAMMER ACTION for authentic feel and performance

Many of Roland’s 88-note keyboards have a weighted hammer action, which means that the lower notes are heavier to the touch, needing slightly more pressure to play, and the higher notes are lighter. This replicates the feel of the keys on a fine grand piano and it means that playing a stage piano doesn’t mean you have to sacrifice a great feel.

WATERFALL for rapid organ playing technique

If you want to include organ sounds, you need an instrument that can handle the essential organ playing techniques including trill, sputter and ultra-sharp glissandos. Anything less, and you’ll lose connection with instrument.

Roland Organ Keyboard Action
Roland Synthesizer Keyboard Action

SYNTHESIZER ACTION loved by pro musicians

And if you’re a synth player, you may not need weighted keys, but you’ll definitely need fast, accurate triggering that remains reliable for many years - so don't miss the chance to try out our new synth action keys on the Fantom-6 and -7, as well as the Jupiter-X; the best synth action Roland has ever produced.

#3: The user interface

Developed with decades of experience and feedback from pro-musicians

Too much technology can become a distraction, and it's easy to spend more time tweaking or trouble shooting than actually making music. Whether you’re still starting out or you’re becoming established with some regular income from your music, no one can afford to waste time in the studio. Ever spent all day trying to get your setup working properly with no time spent actually writing anything? Roland’s philosophy produces instruments that kick start the creative process, via intuitive user interfaces that encourage experimentation and creativity. Let’s look at some of the obvious benefits:

Controls on Roland Synthesizers

SYNTHESIZER with many controllers for every aspect of the sound

The Jupiter-X for example, pays homage to the knob-and-sliderladen behemoths of the early 80s, with many controllers to help shape every aspect of the sound. This results in a very natural approach to sound design, meaning it’s possible to create the sound in your head quickly and easily. And if it’s easy to experiment and try new things, you can guarantee you’ll come up with some killer sounds that will make your music stand out.

DRAWBARS for authentic organ playing

If you’re an organ player, the chunky drawbars found on the VR-09 V-Combo give you that authentic organ feel, but they also double up as a convenient way to edit the variety of other sounds on board, including pads, basses, synth and piano.

Roland Organs with Drawbars for authentic playing
Roland modular synths with CV/Gate connections

MODULAR synthesizer with many CV/Gate connections

If you’re the type of person who loves to explore the outer limits of sound design, the almost-infinite choice of modular synthesizers paired with CV/Gate connections will keep you busy for the foreseeable future. Based on Roland’s iconic System series from the ‘70s, the current System-500 range of modular analog synths harks back to the days when people would use the very building blocks of sound to get creative.

These elements (sound engine, keyboard quality and user interface) define Roland’s wide range of keyboards and synths. Each instrument is designed with performance in mind, while offering the musician an impressive array of creative possibilities. And although each individual instrument focuses on doing its job exceptionally well (for example, stage piano, or a punchy analog synth, or a smoky organ), when you start using two together, you can build a powerful and versatile keyboard rig that offers you enormous musical potential – yet is still intuitive and simple to use.

Next we’ll look at several combinations of keyboards and synths, and what you can expect once you have them at your fingertips.

BASIC KEYBOARD RIGS

Basic Keyboard Rig | VR-730 V-COMBO with JUNO-DS88

RIG #1 | BASIC

VR-730 V-COMBO with JUNO-DS88

RIG HIGHLIGHTS
Basic Keyboard Rig | JD-Xi synth with JUNO-DS61

RIG #2 | BASIC

JD-Xi synth with JUNO-DS61

RIG HIGHLIGHTS
Basic Keyboard Rig | JUNO-DS61 & RD-88

RIG #3 | BASIC

JUNO-DS61 & RD-88

RIG HIGHLIGHTS
Basic Keyboard Rig | VR-09B & RD-88

RIG #4 | BASIC

VR-09B & RD-88

RIG HIGHLIGHTS


EXTENDED KEYBOARD RIGS

Extended Keyboard Rig | FA-06 WORKSTATION WITH JUNO DS-88

RIG #5 | EXTENDED

FA-06 WORKSTATION WITH JUNO DS-88

RIG HIGHLIGHTS
Extended Keyboard Rig | JD-Xi with JD-XA analog/digital crossover synths

RIG #6 | EXTENDED

JD-Xi with JD-XA analog/digital crossover synths

RIG HIGHLIGHTS
Extended Keyboard Rig | FANTOM-6 & SYSTEM-8

RIG #7 | EXTENDED

FANTOM-6 & SYSTEM-8

RIG HIGHLIGHTS
Extended Keyboard Rig | FANTOM-6 & JD-XA

RIG #8 | EXTENDED

FANTOM-6 & JD-XA

RIG HIGHLIGHTS


ADVANCED KEYBOARD RIGS

Advanced Keyboard Rig | JD-XA with FA-08 WORKSTATION

RIG #9 | ADVANCED

JD-XA with FA-08 WORKSTATION

RIG HIGHLIGHTS
Advanced Keyboard Rig | SYSTEM-8 Synth with RD-2000 Stage Piano

RIG #10 | ADVANCED

SYSTEM-8 Synth with RD-2000 Stage Piano

RIG HIGHLIGHTS
Advanced Keyboard Rig | FANTOM-7 & JUPITER-Xm

RIG #11 | ADVANCED

FANTOM-7 & JUPITER-Xm

RIG HIGHLIGHTS
Advanced Keyboard Rig | FANTOM-8 & JUPITER-X

RIG #12 | ADVANCED

FANTOM-8 & JUPITER-X

RIG HIGHLIGHTS


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