Fantom-G8

Sintetizador Estación de Trabajo

Fantom-G8
Descontinuado

Alcanzando Nuevos Niveles de Poder y Lujo

Presentamos la workstation de directo más potente y elegante de la historia de Roland. El Fantom-G es un instrumento de ensueño que redefine los límites de interpretación y creatividad con su avanzada fuente de sonido, la revolucionaria bahía de ampliación ARX SuperNATURAL™, el amplio LCD en color, el nuevo y potente secuenciador de audio/MIDI, las teclas con contrapeso y “tacto de marfil” de primera clase, y mucho más.

Video Library

Audio Library

Tacto y acción de teclado superiores
El Fantom-G8 está equipado con el teclado de primer nivel de Roland PHA II con “tacto de marfil”. Esta impresionante tecnología de teclado reproduce el tacto real de la superficie de marfil de las teclas de los pianos acústicos, proporcionando una estabilidad y comodidad familiares para el pianista. Las teclas blancas disponen de una estructura de 2 piezas, lo cual reduce el ruido de “clic” de la superficie al tocar. El material de la superficie del teclado de última generación se ha diseñado para absorber la humedad y asegurar un tacto seguro y antideslizante, agradable para los dedos.

Fuente de sonido avanzada
Con un nuevo y potente procesador de audio, elFantom-G proporciona nueva profundidad y versatilidad sonora. Con el doble de la capacidad ROM de ondas de su predecesor, guarda un tesoro oculto con los sonidos de calidad SRX más conocidos de Roland, aunque lo que realmente distingue a este instrumento es su nueva ampliación ARX, que permite añadir grupos de sonidos adicionales SuperNATURAL y fuentes de sintetizador y efectos totalmente específicos a esta ya potente workstation de directo.

Ampliación ARX SuperNATURAL™
El Fantom-G proporciona bahías ARX para dos tarjetas de ampliación SuperNATURAL. SuperNATURAL es la exclusiva tecnología de modelado de comportamiento de Roland que permite un nuevo nivel de expresividad emocional orgánica imposible de conseguir con los sintetizadores anteriores. Aplicado a los sonidos de instrumentos tradicionales, SuperNATURAL permite los cambios tonales orgánicos y delicados, y los matices de interpretación de los verdaderos instrumentos musicales. También es una potente herramienta para los sonidos electrónicos y no tradicionales, ya que aporta nueva vida y expresión a la síntesis.

Potente secuenciador integrado
El Fantom-G es el primer instrumento de Roland en incorporar el potente secuenciador de última generación de Roland. Junto con el amplio LCD, esta herramienta de composición de nivel profesional proporciona 128 pistas (incluyendo 24 pistas de audio) en un entorno gráfico audio/MIDI totalmente integrado. También es posible incorporar un ratón para obtener la misma rapidez y facilidad que con un ordenador. Otras funciones útiles incluyen un conector combo XLR y TRS, alimentación phantom para micrófonos de condensador, entrada Hi-Z para guitarra y bajo, y entrada de línea.

LCD amplio y elegante
Con sólo mirarlo y tocarlo sabrás que el Fantom-G es un instrumento sin igual. Se han utilizado sólo los materiales de la más alta calidad para crear este sintetizador de ensueño, con un diseño elegante y futurista que llamará la atención de todos. El amplio LCD TFT en color de 8,5” de anchura se encuentra en el parte central para mejorar la funcionalidad. También incluye una gran variedad de controles manuales de primera clase, incluyendo ocho deslizadores, cuatro mandos, y diez botones debajo del LCD.

Efectos increíbles
El Fantom-G dispone de una innovadora fuente de efectos, con multiefectos disponibles para cada sonido/parte delFantom-G. En el modo multitímbrico de 16 partes, se pueden utilizar hasta 22 direccionamientos de efectos a la vez. Crea configuraciones complejas con 16 efectos de inserción por patch, además de reverberaciones y chorus globales. Los efectos de masterización se incluyen para perfeccionar las canciones creadas con el secuenciador integrado.

Keyboard Section
Keyboard
88 keys PHA II Ivory Feel Keyboard with velocity and channel aftertouch
Sound Generator Section
Mamimum Polyphony
128 voices, shared with the sampling section
Parts
16 parts (Internal) + 16 parts (External) + 2 parts (ARX) + 24 parts (Audio Track)
Wave Memory
256MB (16-bit linear equivalent)
Waveforms
2,230
Preset Memory
Patches: 1,664 + 256 (GM2)
Rhythm Sets: 64 + 9 (GM2)
Live Sets: 512
Studio Sets: 128
User Memory (per one project)
Patches: 512
Rhythm Sets: 64
Live Sets: 512
Studio Sets: 128
Effects
Patch Multi-effects (PFX): max. 16 units (76 types)
Multi-effects (MFX): max. 2 units (78 types)
Chorus: 1 unit (3 types)
Reverb: 1 unit (10 types)
Sampling Section
Data Format
16-bit linear, .WAV or .AIFF
Sampling Frequency
44.1kHz
Maximum Sampling Time
approx. 360 sec, mono/180 sec, stereo (when sampling memory isn't expanded/32 MB)
approx. 108 min, mono/54 min, stereo (fully expanded with DIMM/544 MB)
Number of Samples
2,000 (per one project)
Sequencer Section
Tracks
MIDI tracks (Internal/External/ARX): max. 128
Audio tracks: max. 24
Tempo track: 1
Beat track: 1
Resolution
480 TPQN
Tempo
5.00 to 300.00
Songs
50 (per one project)
Phrases
2,000 (per one project)
Notes Capacity
approx. 1,000,000 notes (per one project)
Song Length
9,998 measures
Recording Method
Realtime recording, Step recording
Others
Arpeggiater
128
Arpeggio Sets
128
RPS Sets
32
Rhythm Pattern Sets
32
Chord Memory
128
Chord Memory Sets
128
Display
Graphic Type, 8.5", Wide VGA (800 x 480 dots), backlit LCD (Color)
Pads
16 pads, Velocity and Polyphonic Aftertouch sensitive
Controllers
Pitch Bend/Modulation Lever, Control Knob x 4, Control Slider x 8, Assignable Switch x 2, D Beam Controller
Connectors
Mic/Guitar Input Jacks: 1/4 inch phone type/XLR type (Phantom power) (Hi-Z) Headphones Jack: Stereo 1/4 inch phone type, A (MIX) Output Jacks (L/MONO, R): 1/4 inch TRS phone type: B Output Jacks (L, R): 1/4 inch phone type: Input Jacks (L/MONO/MIC, R): 1/4 inch phone type, Pedal Jacks: Hold Pedal Jack (Half Pedal recognition), MIDI Connectors: IN, OUT, THRU, USB Connectors: USB Computer Connector (supports file transfer or mass storage class, and Audio/MIDI), Digital Audio Interface: COAXIAL INPUT/OUTPUT, AC Inlet
Expansion Slots
ARX expansion boards: 2 slots
DIMM: 1 slot, supports PC133, CL=2/3, 3.3 V, 128MB, 256MB, 512MB
External Storage Device
USB Flash Memory
Power Supply
AC 117 V, AC 230 V, AC 240 V (50/60 Hz), AC 220 V (60 Hz)
Power Consumption
30 W
Accessories
Owner's Manual, CD-ROM (Editor, USB Audio/MIDI driver), Power Cord
Options
Expansion Board: ARX Series, Keyboard Stand: KS-V7, KS-18Z, Pedal Switch: DP series, Foot Switch: BOSS FS-5U, Expression Pedal: EV-5, USB Memory: M-UF1G
Size and Weight
Width
1,396 mm
55 inches
Depth
502 mm
19-13/16 inches
Height
183 mm
7-1/4 inches
Weight
33.6 kg
74 lbs. 2 oz.
*The specifications are subject to change without notice.

Video Library

Audio Library

Descargas

Folletos y Catálogos

Actualizaciones y Drivers

Soporte

Si tiene preguntas sobre cómo operar su producto Roland, consulte nuestra Base de Conocimientos para obtener respuestas a las preguntas más frecuentes.
También puede ponerse en contacto con nuestro departamento de soporte técnico por correo electrónico.
Además, tenemos una biblioteca de manuales de usuario y documentos de soporte que puede descargar y hacer referencia.

Manuales de Usuario

Documentos de Soporte

  • Fantom-G ReleaseNote 130: What’s New in Version 1.30

    The Version 1.30 operating system update adds new features and a wealth of new content to the Fantom-G workstation keyboard. This booklet explains what’s new in Version 1.30, and how to get the most from this important OS update.

  • Fantom-G Workshop 01: The Fantom-G Possibilities

    This booklet provides a step-by-step, hands-on introduction to the Fantom-G. We’ll give you a taste of its many capabilities, and an idea of what’s in store for you with your new Fantom-G.

  • Fantom-G Workshop 02: Power User Control

    If the Fantom-G’s about one thing—other than its killer sounds and display—it’s power and flexibility. Its controls are built for speed, and things get even better when you add a mouse. This booklet is where it all begins.

  • Fantom-G Workshop 03: Power User Control 2: The Pads

    Nowhere are the Fantom-G’s efficiency and flexibility more on display than the DYNAMIC PADS area. There are so many aspects of the Fantom-G’s operation in which the pads kick things into high gear that they deserve their own booklet.

  • Fantom-G Workshop 04: Saving Your Work on the Fantom-G

    With all the music you can make on the Fantom-G, you’ll want to make sure you know how to store it for safekeeping, along with all the bits and pieces that went into it. This Workshop booklet explains how to save Fantom-G songs, samples, patches, and everything else.

  • Fantom-G Workshop 05: Single Mode in the Fantom-G

    When you want to use the Fantom-G in the most traditional, straight-ahead way—maybe with a single patch on the keyboard and a rhythm set or rhythm on the pads—Single mode’s the way to go. This booklet explains how it works.

  • Fantom-G Workshop 06: Editing Fantom-G Patches and Rhythm Sets

    At the heart of the Fantom-G is its killer sounds. Sure, the factory patches and rhythm sets sound great, but you can also create your own, as you’ll learn in this booklet.

  • Fantom-G Workshop 07: Live Mode in the Fantom-G

    The Fantom-G is designed, first and foremost, as an excellent performance keyboard, and that’s what its Live mode is all about. It’s the place where the Fantom-G really shines. This booklet explains Live mode in detail in order to help you harness the Fantom-G’s performance power.

  • Fantom-G Workshop 08: Creating Layers and Splits

    In Live mode, each keyboard-full of sounds is called a “live set.” A live set is where you combine sounds or assign them to different areas of the keyboard. This booklet shows you how to put sounds together as layers and splits on the Fantom-G.

  • Fantom-G Workshop 09: Manipulating Sounds in Realtime

    The Fantom-G has a great set of tools for controlling sounds in realtime, from its control sliders and knobs, to the D Beam, and more. This booklet explains how to set up the Fantom-G realtime controllers and the patches and effects they control.

  • Fantom-G Workshop 10: Studio Mode

    With its powerful 152-track sequencer/recorder, the Fantom-G naturally provides its own slick studio environment in which to get some songs down. In Studio mode, you have access to as many as 16 patches/rhythm sets/sample sets at the same time, 24 audio tracks, and up to 22 effects! This booklet explains what you need to know about Studio mode.

  • Fantom-G Workshop 11: Sequencing and Recording

    In this booklet, you’ll get all the details on sequencing and recording in the Fantom-G, from conceptual explanations of phrases, samples, and tracks, on up through sophisticated and flexible sequencing and recording techniques. This booklet’s a must if you’re itching to master the Fantom-G’s 152-track sequencer/recorder.

  • Fantom-G Workshop 12: Perfecting Songs, MIDI Tracks, and Audio Tracks

    When you’ve captured your MIDI and audio tracks, the fun’s just starting. This booklet takes you through the Fantom-G’s extensive collection of sequencer/recorder editing tools that will help you refine your music to your notion of perfection.

  • Fantom-G Workshop 13: Playing Clips from the Fantom-G Pads

    The Fantom-G is more than just a synth, sampler, audio interface, and sequencer/recorder, though you’d think that might be enough. The Fantom-G’s pads can serve as an absolutely killer way to launch sequenced phrases as clips onstage, DJ-style. Mix and match your beats in harmony with the mood of the mob. This booklet shows you how to bang out clips from the Fantom-G pads.

  • Fantom-G Workshop 14: Adding Live Audio to the Fantom-G

    The Fantom-G boasts a full-featured mini-mixer that allows you to add live sounds to your playing and songs. Connect a mic, a guitar, or any other instrument to the Fantom-G’s audio inputs, add effects, and it’s show time. The input mixer offers phantom power, its own dedicated effects, and access to the rest of the Fantom-G’s stunning effects. You’ll learn how to incorporate live audio into the Fantom-G with in this booklet.

  • Fantom-G Workshop 15: Using the Fantom-G with a Computer

    The Fantom-G’s potent USB capabilities make it an outstanding companion to a computer and a computer-based DAW (“Digital Audio Workstation”). Of course, you can exchange files. Of course, you can use its keyboard with a DAW and use the Fantom-G as an awesome multitimbral module with effects for your DAW. But did you know the Fantom-G may also be all the audio interface you need to get audio into and out of your DAW? And did you know how easy it is to sample your computer’s audio—and that’s any of its audio—on the Fantom-G? Check out this booklet to learn more.

  • Fantom-G Experience

    Impressions of the Fantom-G live workstation from world-leading artists.

  • Selecting Fantom-G and ARX-Series Sounds Via MIDI
  • Fantom-G ReleaseNote 120: Understanding Phrases, Samples, and Tracks

    The Fantom-G contains a powerful combination MIDI sequencer/audio recorder. To help you harness its power, here’s a booklet that explains the relationship between the Fantom-G’s MIDI phrases, audio samples, MIDI tracks, and audio tracks.

  • InFocus 02: Roland’s Librarian Software

    If you’re the kind of person who digs into your Roland/BOSS gear, odds are you go way beyond factory patches and settings. It’s for users like you that we include a computer-based Librarian application for backing up and organizing your data. This booklet explains the Roland/BOSS Librarian.