SP SAMPLERS & THE SOUND OF
LO-FI HIP-HOP
CRATE DIGGING, CASSETTES, AND CULTURE
The lo-fi hip-hop sound can stop you in your tracks (gently of course). Blending warm-and-fuzzy beats with glitchy arrangements and jazzy influences, the genre has been slowly-but-surely gaining popularity since the mid-2000s. Every music genre has its origin story: a combination of people, places, and products that contribute to the overall sound. And this is one such story—about how a little black box from Japan helped the world to kick back and relax.
PART 1
THE ORIGIN
JAPAN, MID-1990S
Musically, there was a lot happening in the mid-nineties. People were flocking to clubs and festivals, DJ culture was on the rise, and music production technology was slowly becoming more affordable. The seeds were being sown for a musical revolution. And would-be musicians, yet to find their true calling, were about to discover a new set of creative tools.
FLASHBACK
MID-’90S MUSIC PRODUCTION
Mid-’90s music was all about the big studios. Computers weren’t yet powerful enough to handle multi-channel sampled audio, so the classic hardware/sequencer/effects/mastering combo reigned supreme. This meant you needed lots of gear—plus an understanding of how it all worked—to get anything done.
MEMORY CHIPS
THE PRICE OF PROGRESS
Music producers wanted to experiment with sampled audio, although few up-and-comers could afford the professional-grade sampling behemoths of the day, as their memory chips were so expensive. This meant there was a real need for a simple and affordable sampler that people could use to get creative.
MS-1 / 1995
THE PREDECESSOR
Launching in 1995, Roland presented the MS-1 as an affordable ‘phrase’ sampler, meaning you could trigger a static sample—like a drumbeat or vocal—but couldn’t sample a bass note and play it across a keyboard, like you could on more expensive rack-based samplers. With eight trigger pads and no effects, the MS-1 had a basic sequencer so you could record audio directly into the device and start making music.
PART 2
THE TOOLS
DJS TAKE CONTROL ... 1998 ONWARDS
As the MS-1 came to the end of its life, the DJ scene was really hitting its stride. With two turntables and a mixer, forward-thinking DJs were thinking about how to add a creative edge to their sets. If only there was a low-cost sampler available...
PART 3
THE MUSIC
MID-2000S, USA
With thousands of SP samplers now in circulation, producers and beat makers started exploring the capabilities of their machines, and began finding creative workarounds for any limitations. And in the mid-2000s, a new music genre started to form, partly shaped by the gear used in its creation. Here are some of the highlights...
MADLIB & MF DOOM
MADVILLAINY
Marking one of the early appearances of the SP-303 sampler, Madvillainy was a collab between future superstars Madlib and the late MF Doom. Released in 2004, the album set the standard for the ‘less is more’ production ethic. Many of the tracks were created by Madlib during a trip to Brazil using his SP-303, turntable, a stack of vinyl and a tape deck.
JNEIRO JAREL
GET YUH OWN
Talking to Billboard magazine way back in 2005, Jneiro Jarel mentioned that the SP-404 was one of his band members. His newly released album ‘Three Piece Puzzle’ contained a track called ‘Get Yuh Own’ ...thought to be the first time an SP-404 was used on a commercial release.
J DILLA
DONUTS
Celebrated as one of the most influential hip-hop albums of all time — and certainly one of the most beloved — J Dilla’s Donuts is a stone-cold classic. Released in early 2007, it’s even more remarkable that the album was made using the most basic of setups: vinyl, a turntable, and his SP-303. Dilla’s far-reaching vision and boundless talents remain an inspiration to this day, despite his tragic passing just a few days after Donuts was released.
MOVERS & SHAKERS
DIBIA$E
With a sound that’s simultaneously laid-back and tightened-up, Dibia$e is a quintessential figure in the lo-fi movement, having carved a spot for himself in the unofficial 404 hall of fame. Beginning with his debut album, Machines Hate Me, he’s blended skipping-stone beats and sepia-toned electric piano with soulful vocal samples. Proudly organic in his approach, Dibia$e says, “I like my music to have a certain sound. Most of the time I let the process happen naturally.”
BEAT CULTURE & THE SP-404:
FEAT. DIBIA$E, FLYING LOTUS AND RAS G
In the early 2000s, Los Angeles cultivated an underground hip-hop beat culture, where every budding producer was on the same wavelength, experimenting like mad scientists in laboratories, and producing their next instrumental masterpieces.
Image Courtesy of Orikami Records
PART 4
THE CULTURE
2010 ONWARDS, WORLDWIDE
One of the best things about music is when it brings together like-minded people. Influences mix, friendships are formed, and sometimes a distinctive style starts to emerge from the musical melting pot. From custom overlays and amazing artwork to beat tapes from up-and-coming producers, lo-fi hip-hop is a vibrant music scene that keeps on growing, and keeps on giving.
INSIDE THE SÃO PAULO BEAT SCENE
Explore the multifaceted São Paulo beat scene with this in-depth history of its close-knit ecosystem of artists, beatmakers, and labels.
READ
Photo by Andre Deak
RAS G image by Eric Coleman
RAS G ROLAND LIFESTYLE COLLECTION
Introducing the RAS G clothing capsule collection, which celebrates one of the beatmaking scene’s brightest stars. In association with Dub Lab, Poo Bah records and the RAS G estate.
MORE INFO
404DAY GLOBAL LIVESTREAM
Join the celebration on April 4th and come vibe with a cavalcade of global #sp404 artists. We’ve organized a multi-location livestream where artists will celebrate 404day by playing live on their channels.
MORE INFO
INSIDE THE JAPANESE
BEAT SCENE
The lo-fi sound and aesthetic have deep roots in Japan. Dive into the colorful subculture with the Japanese beat scene's key players.
READ
SKIN DEEP
THE ART OF THE OVERLAY
Welcome to the rich artistic world that’s grown around SP-404 skin overlays and beyond. We speak to visionary illustrator Zom Kashwak and check out the lo-fi aesthetic of other inspiring designers.
READ
Photo by William Linnemann
A FEW MINUTES WITH...
MISS TAHLOULAH MAY
The Netherlands’ Miss Tahloulah May respects hip-hop’s history and heritage while pursuing her unique vision. She discusses beatmaking, the pleasures and perils of crate digging, and how the SP-404—which she calls her brain—shapes her sound.
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LISTENING GUIDE
THE LA BEAT SCENE
The LA Beat Scene was a multi-tentacled explosion of musical energy blending rap, jazz, ambient, trip-hop, and dozens of other genres into a heady brew. Rooted at the Low End Theory club night, the community even spawned breakout stars like Flying Lotus and Thundercat. Join us as we take you through the essentials.
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LISTENING GUIDE
AN INTRO TO... MF DOOM
Take a tour through the work of the late MF Doom with a veteran music journalist as your guide. Revered for his lyrical prowess and deep discography, the British-born rapper influenced generations of artists. Get to know the fundamental tracks from the man behind the iron mask.
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LISTENING GUIDE
AN INTRO TO... MADLIB
Since 1993, Madlib has made his mark on hip-hop history with his incredible output and creative flexibility. Describing himself as, “DJ first, producer second, and MC last,” he created a whole scene from his Crate Diggas Palace studio in Oxnard. Dive into a curated list of classic Madlib.
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Photo Courtesy of Bryan Shorter
NOT FORGOTTEN
REMEMBERING RAS G
We pay our respects to scene stalwart Ras G, the producer, DJ, and label co-founder, and DJ who released an awe-inspiring 24 albums and mixtapes in his too-brief career. Featuring exclusive interview content and participation from the artist’s family, we explore the life and music of the immortal Ras G.
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TRY THE SP-404 IN YOUR BROWSER
(ALONG WITH OTHER ROLAND CLASSICS)
In celebration of our 50th Anniversary, Roland has collaborated with sound designer Yuri Suzuki to create Roland 50 Studio, a digital reworking of some of our most famous and influential devices. Explore the SP-404 right now, along with the TR-808 drum machine, TB-303 Bass Line, and SH-101 synthesizer. You can even save the results to share with the world!
ROLAND 50 STUDIO