Today, we are proud to introduce the all-new V-Bass VB-99, which delivers three times the sonic firepower of the original model! Based on an all-new custom processing engine and 10 years of R&D, the V-Bass serves up a wide range of inspiring new COSM bass and amplifier models, powerful polyphonic effects, new String Modeling technology, dual independent signal paths for blending sounds, new controllers, and a host of thoughtful improvements that bassists demanded. Better still, it’s all packaged in a smaller, more convenient format that’s ideal for both tabletop recording and on-stage use.

The VB-99 sports dual independent signal paths, which greatly expands the sonic possibilities of this system. The two paths can be assigned to two distinct sounds (patches), and mixed and layered as desired. Sounds can be blended with a single knob, and even split or switched via playing dynamics. Imagine setting up a patch in which an electric bass morphs into a synth sound when you really dig in... or assigning an overdriven amp sound to your low B and E strings, and a lush, string-type sound to your A, D and G strings. The soundscapes are almost endless... and it’s only possible with the VB-99 and its companion GK-3B pickup (which installs on most standard steel-string basses).

In addition to more than twice the number of patches — including everything from classic and modern basses, to acoustic instruments, and the widest range of amps and effects — the VB-99 offers greater expressive possibilities thanks to a D BEAM Controller, a Ribbon Controller, and String Modeling.

The assignable D BEAM controller allows a bassist to control his sound through hand gestures through an infrared beam of light. It’s a great way to generate inspiring tones and wow an audience.
* The light in the photograph is only a representational image; actual beam is invisible.

The onboard Ribbon controller is much like those found on keyboard synthesizers — perfect for tweaking a patch or getting just the right filter setting on a bass synth sound.

V-LINK is Roland’s proprietary format for controlling external video equipment, so visionary bassists can create soundscapes beyond just the music.
* The light in the photograph is only a representational image; actual beam is invisible.

String Modeling is new to the VB-99, enabling to convert "Round Wound" strings to "Flat Wound" or "Black Nylon" for enhanced bass performance.

Of course, all the V-Bass’ power would mean nothing if it wasn’t supremely easy to use in the widest variety of settings. That’s why the VB-99 incorporates a large, bright 240 x 64 dot LCD, with tons of helpful graphics. There are also dedicated knobs and buttons for all major functions. So you can go from tweaking an amp model to adjusting global settings within seconds.

Since the introduction of the original V-Bass, players around the world have given us some great feedback. As a result, the VB-99’s new “bassist-friendly” features include a BASS DIRECT input/output, for sending your normal bass output unchanged through the VB-99 — or blending it with the onboard sounds as desired. There’s also an XLR output with ground lift switch for “going direct,” either live or in the studio. Speaking of live, the VB-99 can be controlled with an optional foot controller, like the Roland FC-300, and it can be conveniently rack-mounted using an optional adaptor.

With the VB-99’s built-in USB audio/MIDI streaming capability, modern musicians can take full advantage of computer-based setups. Just connect a single USB cable from the back of the V-Bass directly to your Mac or PC. Then trigger other sounds (via MIDI) or record your V-Bass (via USB audio) using your DAW software and plug-ins (sold separately). Roland’s V-Bass editing software (free downloadable) even lets you edit and save V-Bass sounds right from your computer.