TRI-CAPTURE

More akin to a mixer than audio interface in its industrial design, TRI-CAPTURE gives you hands-on controls for the most essential recording parameters. Three input paths are clearly labeled, with dedicated input knobs, peak indicators, and switches for phantom power and Hi-Z input. A unique REC MODE section lets you choose instantly between three recording scenarios: MIC/GUITAR, MIXING, and LOOP BACK (optimized for web streaming applications such as Ustream). A master mute switch is also provided, as well as an INPUT MONITOR switch.

TRI-CAPTURE is equipped to handle a wide variety of patching scenarios. Plug an instrument into the 1/4-inch inputs (with Hi-Z switch), plug a microphone into the XLR mic input (with phantom power switch), and plug stereo instruments or devices into the AUX input. Balanced 1/4-inch TRS outputs and a stereo headphone jack are provided as well. The USB terminal is your one-cable connection to your Mac or PC. TRI-CAPTURE is USB bus powered so no separate AC connection is required.

Roland introduced the world's first USB MIDI Interface, the S-MPU64, in 1998, as well as the world's first USB audio interface, the UA-100. In 1999 Roland debuted the world’s first USB MIDI sound module, the SC-8850, which realized a total of 96 simultaneous parts. In 2003, we launched the world’s first multi-port Hi-Speed USB (USB 2.0) audio recording interface, the UA-1000.
More than just being the first, however, Roland has maintained a meticulous track record of product stability. Stable, low-latency ASIO drivers are the basis of our USB products. We develop our USB MIDI/Audio drivers in house, which allows us to optimize the specs for each product, and gives us the flexibility to quickly update our drivers to correspond new OS releases and to add new features.